Arte decorativa – há quantos anos existe design de interiores

Morse Museum of American Art

Há quanto tempo a sociedade decora, ostenta e se deslumbra com iluminação, luminárias, tecidos, tapeçarias e diversos outros mobiliários e berloques residenciais?

O Morse Museum apresenta coleção de peças, muitas exclusivas, realizadas para exposição de 1893.

 

About the Morse

The Morse Museum was founded by Jeannette Genius McKean (1909–89) in 1942 and named for her grandfather, Chicago industrialist and Winter Park philanthropist Charles Hosmer Morse. Its collections were built over a half-century by Mrs. McKean and her husband, Hugh F. McKean (1908–95), the Museum’s director until his death.

Charles Hosmer Morse Museum of American Art, Winter Park, Florida
Front entrance to the Morse Museum in Winter Park, Florida

For 35 years, the Museum was housed on the campus of Rollins College and known as the Morse Gallery of Art. In 1977, it was relocated to 151 East Welbourne Avenue in Winter Park, and its name was changed in the mid-1980s to The Charles Hosmer Morse Museum of American Art.

The Morse opened at its current location, 445 North Park Avenue, on July 4, 1995. The galleries were developed from former bank and office buildings. The redesign linked two buildings with a tower in a simple modified Mediterranean style meant to blend with the surrounding cityscape. In a further expansion in 1999, the Museum debuted its installation of the Tiffany Chapel from the 1893 Chicago World’s Columbian Exposition.

The Morse today occupies more than 30,000 square feet of space on its campus at Park and Canton avenues. The Morse is owned and operated by the Charles Hosmer Morse Foundation and receives additional support from the Elizabeth Morse Genius Foundation. It receives no public funds.

 

Welcome to the Morse Museum

The world’s most comprehensive collection of works by Louis Comfort Tiffany (1848–1933) is housed at The Charles Hosmer Morse Museum of American Art. The Museum’s Tiffany collection includes jewelry, pottery, paintings, art glass, leaded-glass windows and lamps, and the chapel interior the artist designed for the 1893 World’s Columbian Exposition in Chicago. The Museum’s holdings also include a major collection of American art pottery and representative collections of late 19th- and early 20th-century American painting, graphics, and decorative art.

The New Tiffany Wing

The Morse Museum’s new galleries feature the recently restored Daffodil Terrace and 250 art and architectural objects from Louis Comfort Tiffany’s Long Island estate, Laurelton Hall. Free admission through March 20.

Louis Comfort Tiffany's Laurelton Hall

LOUIS COMFORT TIFFANY’S LAURELTON HALL

Louis Comfort Tiffany's Life and Art

LOUIS COMFORT TIFFANY’S LIFE AND ART

Exhibition and Program Highlights

Friday Nights at the Morse

Friday Nights at the Morse

Free admission to the galleries on Friday nights continues through April
More information >>

Reverie, lithograph by Alphonse Mucha

NOW and Then

New vignette inspired by original Jeannette Genius McKean design
More information >>

Roycroft lamp, c. 1910-28

The Virtues of Simplicity

Enjoy the simple beauty of the Arts and Crafts movement
More information >>

Detail from Medallion window, c. 1893

Tiffany Exhibit Refreshed

Selected Works of Louis Comfort Tiffany updated to include new objects
More information >>

.Collection

The work of Louis Comfort Tiffany (1848-1933) is undoubtedly the centerpiece of the Morse Museum collection. The Museum’s Tiffany collection is broad, deep, and unique. It includes fine examples in every medium Tiffany explored, in every series of work he produced, and from every period of his life. The collection has been referred to as “the most comprehensive and most interesting collection of Tiffany anywhere” by Alice Cooney Frelinghuysen, Anthony W. and Lulu C. Wang Curator of American Decorative Arts at The Metropolitan Museum of Art in New York. In her book The Art of Louis Tiffany, Vivienne Couldrey described the Morse’s holdings as “the most important collection of Tiffany material in the world today.”

 

MADONNA AND CHILD, c. 1890, Tiffany Glass Company
MADONNA AND CHILD, c. 1890
Leaded-glass window
Tiffany Glass Company
(74-018)
LIBRARY LAMP, c. 1905, Tiffany Studios
LIBRARY LAMP, c. 1905
Dragonfly & Water design
Leaded glass and bronze
Tiffany Studios
(69-005)

Among the most fascinating objects in the Museum’s Tiffany collection are the brilliantly colored windows, mosaics, marble, jewels, glass, stone, and furnishings that make up the chapel interior Tiffany created for the 1893 World’s Columbian Exposition in Chicago. It was Tiffany’s work at this exposition, and most especially the chapel, that clearly established him internationally as one of the leading artists/designers of his era.

The Museum’s Tiffany collection also includes a large number of pieces originally housed at Tiffany’s Long Island country estate, Laurelton Hall. Handpicked by Tiffany to be displayed there, this important group distinguishes the Morse’s collection from any other. The Laurelton Hall materials include the artist’s most prized paintings, art glass, pottery, and furniture as well as windows, lamps, and other objects that made their debut at international expositions and later adorned his home.

The variety of the Morse’s Tiffany holdings range from his famed leaded-glass windows and lamps to the glass buttons his firm fashioned to make even life’s most humble objects expressions of beauty. The collection in addition includes examples that define him as a painter, decorator, architect, photographer, and landscape architect, as well as a designer of ceramics, furniture, enamels, jewelry, and mosaics. Its breadth encompasses not only masterpieces such as the 1893 chapel that he designed personally but the works that he supervised and controlled after he created his studio operation and established its great popular success. Because of Tiffany’s deep personal involvement, Tiffany Studios was able to produce high-quality objects in a great variety of designs and materials over an extended period of time.

The Museum’s Tiffany collection is additionally well supported by unique historical artifacts and archival material that shed light on Louis Comfort Tiffany, the man, his art, and his times. These materials include Tiffany’s personal memorabilia, letters, designs, plans, photographs, early experiments, business documents, ephemera, and architectural fragments from Laurelton Hall and Tiffany’s various homes in New York City.

 

The Other Collections

Although internationally renowned for its unique, visually magnificent, and historically invaluable Tiffany collection, the Morse is more than a Tiffany museum. It is also a treasure house of American decorative art from the mid-19th century to the early 20th century, with especially rich holdings in the area known as Arts and Crafts.

 

American Decorative Art and Sculpture

VASE, c. 1903, Rookwood Pottery
VASE, c. 1903
Glazed white clay
Charles Schmidt, decorator
Rookwood Pottery, Cincinnati
(P-005-92)

Of particular interest is the Morse’s extensive American art pottery collection, which now numbers over 800 examples, including almost 500 Rookwood pieces. The Arts and Crafts movement sought to give America-which had been overrun with badly designed and poorly made mass-produced products-a new world of handcrafted beauty. The Arts and Crafts group also includes works by Gustav Stickley, the Roycrofters, and others.

In addition, the Museum’s collection contains American leaded-glass windows by Tiffany contemporaries such as Louis Sullivan, Frank Lloyd Wright, John La Farge, and Arthur Nash.

The sculpture collection includes works by Thomas Crawford, Hiram Powers, Daniel Chester French, John Rogers, and others.

 

Painting and Graphic Arts

PORTRAIT OF A YOUNG GIRL, c. 1910, Robert Henri
PORTRAIT OF A YOUNG GIRL, c. 1910
Oil on canvas
Robert Henri, 1865–1929
(P-059-87)

Highlights of the Museum’s painting collection include works by Samuel F.B. Morse (a relative of Charles Hosmer Morse), Thomas Doughty, George Inness, John Singer Sargent, Rembrandt Peale, Cecilia Beaux, Martin Johnson Heade, Maxfield Parrish, Arthur B. Davies, Herman Herzog, Thomas Hart Benton, Samuel Colman, and others. The Museum’s prints include works by some of the same artists as well as by Grant Wood, Mary Cassatt, Paul Cézanne, Childe Hassam, John Steuart Curry, and Edward Hopper.

 

European and Miscellaneous Collections

The collection of American decorative art is supplemented by contemporaneous European examples of glass and ceramics. Works by European artists such as William Morris, as well as examples of 15th- and 16th-century stained glass, provide context to our leaded-glass holdings. Other European works in the collection include glass, jewelry, ceramics, and metalwork by Emile Gallé, René Lalique, and Carl Fabergé, plus examples of furniture by Gallé and Louis Majorelle.

The Morse’s holdings further extend to diverse objects that are of interest because of their relevance to other groups in the Museum’s possession. These collections, ranging from1850 to 1990, include carnival glass, metalwork, textiles, and costumes. Finally, the Morse maintains a collection of outdoor commercial signs of modern American design from Central Florida.

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